Pixies - Bossanova

Bossanova, the Pixies’ third album, is similar to Doolittle in that its sound represented a new direction. The term Surf Rock is thrown around quite a bit and I guess it’s pretty valid. That doesn’t mean they sound anything like The Beach Boys, rather the term refers to a heavier blend of such music. Calling it Surf Rock also seems to make sense in relation to the album’s sense of movement, something that really stands out for me. Unlike their previous two albums, Bossanova failed to achieve glowing critical acclaim. In some ways this is a bit unfair. Surfer Rosa and Doolittle were just so brilliant that nothing short of a masterpiece could have lived up to our expectations. If any other band had released it, it would have been revered; but because the Pixies released it, it was seen as a step backwards. This really is a shame because it’s often forgotten how great it is. It contains some of my very favourite songs and listening to it is always a pleasure. However there is some truth in the negative reactions. For one, it contains the occasional unmemorable song, something previous unheard of for them. This may have been due to exhaustion from extensive touring, rushed song writing or simply Black running out of ideas. Another problem with the album is that it largely abandons the formula of soft/loud, slow/fast changes, a formula so integral to their success. But all issues aside, Bossanova is a great record and it’s more Pixies. What’s to complain about that?

Dig For Fire - In a very un-Pixies manner, this song is surprisingly calm. Instead of relying on pure energy, it uses a soothing melody to win you over. Again, it’s an example of their incredible diversity.

Allison – Nearly all of the Pixies’ material is short and sweet. Well this song is one the shortest and in my opinion, also one of the sweetest.