Monday Mix #30

Down On The Ground - British Sea Power
I’m relatively new to British Sea Power, with their latest EP being my first (and only) experience, but this has been more than enough to convince me that they’re worth some attention. I can only imagine what their live shows are like, but judging from the atmosphere they generate in their recorded music, it would be pretty special.

Diagonal – The Motifs
In case you don’t know, The Motifs is mostly one girl, Alexis, from Melbourne, playing some unbelievably sweet pop music. I recently ordered her brand knew 6-track EP which comes lovingly hand-packaged, courtesy of WeePOP Records, and limited to just 120 copies. When it arrives, I think I might explode from an overload of cuteness.

The People - Young Lovers
Young Lovers are another Melbourne band, but of a vastly different sound. They make epic indie-rock music that’s laced with some pretty infectious dance beats. This sound of theirs is quite impressive and sure to be a hit across the country. I get the feeling we’ll be hearing a lot more of this band, very soon.

Animals (video) – Sparkadia
Sparkadia are one of many Sydney artists to be snapped up recently by indie label, Ivy League Records. I think they must be reading mind when it comes to band selections. It’s great to see them supporting all these excellent bands! Sparkadia haven't done too badly out of the deal either. They just got this shiny new video for their latest mega-hit, Animals, and will be putting their debut album out early next year.




Days – She Is So Beautiful / She Is So Blonde
This bizarrely named solo project has given rise to some rather interesting music. I’m not totally convinced yet, but you never what the test of time holds.

I Heart Hiroshima

When I was asked to name a lesser-known Brisbane band, my first thought was I Heart Hiroshima. This was despite having never seen them live and not really knowing what they sounded like (I’d heard them, but mustn't have paid attention). Clearly they were doing something right on the promotion side of things. Well now I have given them a proper listen and there's certainly no way they’ll be escaping my consciousness any time soon. I recently invested in their debut album, Tuff Teef, and it was one of the most satisfying purchases I’ve made in a long time. At first I was a little put off by the rough edges and raw sound, but this was quickly outweighed by how immersed I became in the energy they create. Their lack of a bass player is often cited as central to their sound, but to be honest, I can barely notice it. For me, the overwhelming factor that defines them is the vocals. To give a rather crude explanation, it’s pretty much two guys and a girl taking turns at yelling at you. In writing, it sounds rather unappealing, but when you hear them and really get to know their music, you’ll understand why I consider it to be a positive. They've found the perfect level of 'in your face' that makes you sit up and pay attention without it getting on your nerves. I must admit that after a good 15 listens in two weeks, it is beginning to wear away at me, but in moderation, this is music to hold dear. I’m really surprised that more wasn’t made of this album, because it’s probably one of the best to come out of Australia this year. I can’t wait to see them live.

Punks – The first three songs on this album are especially strong and of them all, this would have to take the cake. The drums give it a real sense of direction, focusing all their energy into one place. Powerful stuff.
Lungs – As an opening track, this song does the job perfectly. It introduces the softer side of their sound, gradually building the tension before breaking out into a full blown onslaught. All in all, a nice little sampling of I Heart Hiroshima.

Label | Website | Myspace

Digital Music. Insound

(click to visit)

Background

Insound are an online Vinyl / CD store that has recently branched out into selling digital downloads. What makes them special, however, is that only full albums are available. This is great to see at a time when downloads are driving the popularity of individual tracks. While getting single songs can have some benefits, it also degrades the value of the album. If fans are just buying tracks and shuffling them, albums cease to become relevant. This is bad. That’s why I have plenty of respect for Insound. They’ve even setup a ‘Save The Album’ website, which features videos from popular indie artists, championing this cause. Check it out!

Range

As an indie music store, they have a range that caters to my tastes pretty perfectly. This is the kind of shop that puts Grizzly Bear and Battles on the front page, while requiring you to search if you want Kylie. They have an excellent selection of music, however, there’s a catch. Most of it isn’t available for download. Even a search for The Shins will come up blank. By all means, check if you’re favourite release is available, but unfortunately Insound’s digital catalogue is far too small to be a viable option. Hopefully in time it will expand.

Method

The download method at Insound is quite simple really. You add the album to your cart, just like a real CD. The prices are reasonable, less than physical purchases, of course. Once you’ve got what you want, you go to checkout and pay for it just like anything else. It does require a credit card, but that’s not a problem for most. Afterwards, you’re given a link to a zip file with all the mp3s inside. Done! You can download the file up to three times in case you delete it.

Verdict

These mp3s are unprotected and 192kbps, which is great, but also strikingly similar to what you’d find on a peer2peer network. And that’s a problem. Other than legality, this purchase offers nothing over downloading the files illegally. When you buy a CD, you at least get SOMETHING. It’s colourful, it’s physical and it’s yours to treasure. But when you buy digital, the experience is rather hollow. You merely get a few files, files which are quickly lost amongst your thousands of other files. It’s not a critique of Insound directly, but digital downloads in general. I think they either need to be made cheaper (so you feel like you gained something, rather than lost money) or perhaps you should get something more. Some scans of the liner notes wouldn’t have gone astray. Is that too much to ask?

Next: eMuisc

Digital Music. Part 2 - Stores: International

If you’re looking for new ways to buy digital music, look no further than America. Or Europe. In fact, look anywhere other Australia. Not only will you find plenty of places offering the format, but also a surprising amount of variety in the method. Some are available internationally, some aren’t, but either way, they’re a refreshing change to the limited and monotonous industry here at home. I took a look at some of the options that caught my eye:

• Insound

Bridezilla

Bridezilla just keep getting better and better. Every time I see them, they impress me on a whole new level. It would be wrong to say that they were ever shy, but whatever they were, they’ve improved. Daisy (violin) and Millie (saxophone) strut around the stage in complete comfort and confidence, as if in their own bedroom, belting out powerfully emotive sounds that do justice to both their classical background and modern stylings. While those two are the heart of their music, Holiday is the soul. With the spot light shared more evenly, she is left to deliver her haunting vocals in peace. She does so with such conviction that you can so easily get caught up in the moment. And to their credit, Josh (drums) and Pia (guitar) manage to keep all this mayhem grounded and guide the ship towards a very solid sound.

I know they’re probably sick of people mentioning their age, but I just want to make one comment. Rather than trying to capitalise on the novelty of their youth, they're taking things slowly and letting their sound develop. For this they have my upmost respect. Bridezilla aren’t good because they’re young, they’re good because they’re good. They recently put out an EP which captures their live sound surprisingly well. They may not make the most accessible music, but this release proves they have a bright commercial future ahead of them. For a while I thought that ‘St Francine’ might be all they had, but they’ve come out and equalled (perhaps even surpassed) it with the brilliant ‘Brown Paper Bag’. Even the instrumental, ‘Mister Young’, which I didn’t use to like, has become a favourite. Shame on me for ever having doubts.

Mp3: Brown Paper Bag

Bridezilla: Label | Website | Myspace

Digital Music. Intro

Over the last few weeks I've been trying out various services, downloading music legally and generally just getting a feel for the state of digital music. Why? Well why not? I wanted to know what's wrong with it and what should be done to fix it. It's been quite an 'eye opening' experience and so I'd like to share it with you. If you're someone who's been sitting on the digital download fence, take notice. In fact, the issues I'll be discussing are one's that concern pretty much all music lovers. That means YOU.

I'll be posting it in parts, one every few days. It will probably be rather text-heavy, seeing as I have a tendency to indulge myself with copious amounts of paragraph, so I'll try to break it up with the occasional mp3. Anyway, enough of this introducing, the first post is awaiting you below. And guess what? It's more introducing! Don't say I didn't warn you.....

Enjoy!

Digital Music. Part 1 - Preface: The Issues

The future of digital music is an area that interests me VERY much. Seeing as how my life is so steeped in music, how it unfolds will quite literally have a significant impact on me. How we pay for music, how we find it and how we interactive with it are all issues that are being played out before our very eyes. The potential for innovation is huge. But do we really need change? CDs and vinyls do the job incredibly well. They give you great sound quality, something physical to treasure and of course, the ability to rip your music to a computer and beyond. Do we really need to buy music digitally?

Yes! The rise of "ipod culture" is proof of the power and popularity of having music in a digital format. It makes plenty of sense, for both buyers and sellers, to make music available in this format directly. That doesn't mean CDs and vinyls should be replaced. Instead, digital downloads should become a third tier. Vinyls for superior sound quality, digital music for ultimate flexibility and CDs for a bit of both. Yet the problem with this model is that as it stands, digital downloads are anything but flexible. Bogged down by DRM and propriety formats, they have become an option for only the most conscientious (and brave) consumers. In their place, peer2peer sharing has flourished and, like it or not, is here to stay.

From an ethical viewpoint, the issue of illegal downloads seems simple: get rid of them. But it's far more complex. It's a fact that illegal downloads offer many benefits. I for one would have severely undernourished music tastes if I had to pay for everything I wanted to listen to. By not paying for music, listeners are given far more freedom to experiment and discover new material. While this gains artists exposure and the potential to earn money from shows and future releases, it remains a dubious system.

To be honest, I don't think there is a solution. Someone will always miss out. Listeners need to be able sample music and artists need to make money. Finding the balance between the two is the tricky part. If you restrict access to your music, listeners may overlook it. Yet if you make it freely available, you may never see a cent from some of your biggest fans. This is an area that I’m especially interested in, because I haven’t got a clue what to do about it. You can come up with solutions like paying for music retrospectively, depending on how much you listen to it, but would it ever work? It’s a bit a like communism, great in theory, but...

Perhaps most important thing that needs to take place before we’ll make any progress is digital download services need to be improved. You know something’s wrong when those who try to do the right thing are punished, not rewarded, for their effort. Hassles and limitations mean that legal downloads are an inferior option, even before you consider costs. Thankfully, these restrictions are gradually being removed, but it will still only bring legal downloads up to a level equal with illegal ones. At this point, not everyone will make the switch because illegal downloads will still be free. Legal downloads need to offer something more than their illegal alternatives. They need to become a superior product before any major shift will be seen. The big question is how to do this.

As you can see, there’s plenty here to think about. There's nothing I love more than dreaming up ways to solve these problems, but with so many different factors to coming in to play, my ideas change daily. Even after countless hours of consideration, I’m still unsure what the best way forward is. But before I go on about how the future should look, I think it’s important to look at the present. You see, for all the whinging I’d done about downloading music legally, the truth was that I'd never actually tried it. Not once. So I’ve put my money where my mouth is and tried out a few different services. It’s certainly not comprehensive, but at least I’ve got something to back my claims up with. In the next post I’ll begin delivering my verdict. Until then…

It's a mix!

Ending To Begin - Mercy Arms
With all the hype and image surrounding this band, it’s sometimes hard to know what to think of them. But after hearing this song a few times and combining it with the brilliant ‘Half Right’, I’d say there’s more than enough reason to keep your eye on them, cool or not.

Cracked and Crazed - Doug Martsch
The story behind this song is quite remarkable. Filmmaker Devon Reed composed the soundtrack to his upcoming movie, Song From The Bigtop, and then went about recruiting prominent musicians to perform it. Not only should he be commended for his song-writing ability, but also his taste. The album, which rarely feels like a soundtrack, includes some very impressive tracks, performed by artists such as The Clientele and this man, the lead singer from Built To Spill.

Sadness And The City - The Smallgoods
The Smallgoods are Melbourne band that have really snuck up on me. This song in particular has grabbed my attention, thanks to the distinctive vocals and short, unorthodox structure, worthy of a comparison to Of Montreal. It also hints towards the harmonies which feature prominently in their music.

Zero Zero – Operative Please
Throughout Operator Please’s rise to fame, I’ve remained rather distance. I had differing opinions coming from every side, yet never bothered to listen to them for myself. Well now I have and I must admit it sounds pretty exciting. They’re not about to become my favourite band, but from the sound of their debut album, it’s clear that they’ve got some great energy and I certainly wouldn’t mind seeing them live. If anything, I’ll listen to them just to annoy the conservative AM radio hosts. When they won an Aria, I laughed as a 2GB host struggled to comprehend that yes, this is music and yes, people like it.

For Science Fiction – Maritime
Maritime re-entered my consciousness when I friend wrote a song remarkably similar to one of theirs. After hearing his demo, I scoured through my entire collection trying to find out where I’d heard it before. Turns out it was Maritime, a band that he (like so many others) hadn’t heard of. I bought their latest album recently and while it probably doesn’t beat their last, it’s pretty good. This song is excellent.

Chritsmas Chart Attack

I came across this on last.fm recently and it caught my interest. Basically they're trying to get a song into the number one spot on the Christmas charts using the collective might of indie music fans. If enough people buy it, it has the potential to rival some of the more traditional chart-toppers, ie Idol has-beens. The song in question is "Lips are Unhappy" by Lucky Soul. I've talked about the band before and considering they started their own label to release an album, becoming a DIY success story, they're quite an appropriate band to be championing.

It really isn't that relevant to me, considering it's all UK based, yet for some reason I felt compelled to get involved. I think the thought of challenging the mainstream charts, which are saturated by mass-marketed artists and fed to the unsuspecting public, is something that was just too good to resist. Besides, it is Christmas, a time when we're supposed to be give generously. What better cause than independent music? (don't answer that)

Then again, all this talk of charity is a bit inappropriate, considering it costs just 40p (less than AU$1). The track is one that comes on the album, but seeing as I never paid for it the first place, I've hardly got anything to complain about. And for those who do actually own the album, you're not completely paying for nothing as you also get an exclusive bonus track.

The best part is that it was so easy to do. Any eBayers out there with a Paypal account will be happy to know that you can have it all done in a few minutes. You don't actually get the tracks yet, as it's just a pre-order, but you get an email with a link to the tracks when they go live in late December. It will be interesting to see how this little experiment pans out. Will indie music triumph or will my 90 cents be spent in vain?

Mp3: The Towering Inferno

Click the picture above to find out more....

....Lucky Soul on Myspace

Radiohead - In Rainbows

It’s a bit late, but I’ve finally gotten around to featuring Radiohead’s latest ‘event’, i.e. the release of their 7th album, In Rainbows. I won’t go into the details of its release, because I’m sure you are more than familiar with it. Instead, I’ll just offer my opinion on two important aspects:

1) The Method
There’s no doubting that the release of this album was a spectacle, propelling the future of digital music into the spotlight. Full credit to whoever came up with the idea, I thought it was brilliant little experiment. It spread their music at phenomenal speed, slapped the big record labels in the face and best of all, made the band a fair bit of money in the process. However, despite all this, I doubt it will do much to revolutionise the way we buy music. The ‘pay what you want’ system simply isn’t practical on a larger scale. Perhaps some more big bands may give it a shot, but that’s about as far as I see it going.

The execution of it all was surprisingly well-managed. When you consider how many people would have been accessing the site at once, it’s impressive how quick and smooth the process of downloading it was. And just in case you’re wondering, I actually didn’t pay anything for it. But before you go get your pitchforks, I would like to point out that I had every intention of giving a little donation, all the way up to the point that it asked for my credit card details. But it seems I wasn’t alone in this regard with only 38% of downloaders actually paying anything for it. That's not the only factor to suggest this experiment wasn't all rosy. I also think the band abused the trust of some of their best fans. At no stage did they mention that the CD would be released separately, so many fans thought the mp3s would be all they'd get. As such, they paid a decent amount for it. If they now want the higher quality CD, they’ll have to pay again. I think an upgrade scheme would have been nice, where those who paid a certain amount were sent a free CD. Still, whatever the outcome was, I doubt I'll be forgetting about this little episode anytime soon.

2) The Sound
I suppose I should preface this by saying I don’t consider myself a Radiohead fan. Sure, I love OK Computer, but I’ve never given the other albums enough time to sink in. I have the same problem with Pavement, where I latch on to one great album (Crooked Crooked Rain) and ignore the rest. Trust me, it’s not something I’m proud of. But even with my underdeveloped viewpoint, it’s pretty clear that In Rainbows is pretty special. The power of Thom’s voice is simply incredible and from start to finish the album boldly strides into some pretty brave musical territory (and pulls it off). While I’d still say I prefer OK Computer, there’s no real need to compare them. They’re separate entities that can be enjoyed independently. It’s all the more reason to look further into this great band.

(You really shouldn't need these mp3s, but here they are anyway)

Bodysnatchers – This is the obvious ‘go-to’ track. By far the most accessible, I'd say many would agree in saying it was the first to really be liked. If you’re at a party and want a track from the new Radiohead album, it’s pretty hard to go past this.

Nude – It’s a hard to say anything about this track other than ‘wow’. As far as vocals go, it’s up there with best I’ve ever heard. The emotion is so powerful and I don’t even know what he’s saying.

Released: 31/12/07 | Website | Last.fm

Dr Dog - Easy Beat

As you may or may not know (or care), I’m not a very big fan of remixes. More often than not, they just kill the vibe of the original. But that’s a rant for another day. I have, however, discovered a nice little use for these annoying remixes: they point to good music. Any song that’s being remixed must have had something going for it in the first place (you’d hope). So when I heard that Beck had remixed Dr Dog, it got me interested, not in the remix, but in the band. I owe a lot to that remix because I now know Dr Dog. Easy Beats is such an impressive album because within its meagre 9 nine tracks, it actually contains a heap of variety. Throughout it has a fairly happy, upbeat feel to it, brought on by some ecstatic vocals and jumpy song structures. The band seem unafraid to venture off into some rather bizarre musical territory, however this is always rooted in a distinctly beatlesque sound (more than the norm). All in all it’s quite an engaging listen. Easy Beats was actually released in 2004 and I’m still yet to check out their 2007 effort, ‘We All Belong’. If Dr Dog are your thing, they’re actually coming to Australia soon. I seem to remember it costing something like $40 which kind of killed the appeal for me. If their new album impresses me as much as this one did, I may yet reconsider.

Say Something – I think this song sums up their sound pretty nicely. It’s a little rough on the edges, but underneath this is a rather smooth and powerful melody.

The World May Never Know – Originally I was going to pick another light-hearted track, but I thought it would be better to pick something a little more offbeat. Something that highlighted their vocals. Something like this. Just listen to that Beatles bass line at the beginning. Oh yeah.

Released: 15/03/04 | Website | Myspace

More music!

I’ve found that as I’m continually trying to present new music, it doesn’t always reflect what I’m actually listening to. Though of course there’s plenty of overlap, my music tends to get divided into two categories; firstly is all the new albums that I’m sifting through and secondly is the music that I listen to when around others (in the car, at parties or venues etc.). This post aims to restore the balance between those two equally import musical avenues.

Frequency Shift


To everyone who attended the Frequency Shift gigs on Friday and Saturday, THANKS! I almost feel guilty at how much fun I had, so I hope you enjoyed it too. Both nights were a big success in terms of attendance and of course, the bands all performed brilliantly. Apart from getting to see all my favourites again, it was also great to see some artists for the very first time….

Something Happens – Straight Arrows
I’d heard plenty about Straight Arrows so I’m glad I finally got to see them. Their show pretty much consists of two leads yelling incomprehensibly into their microphones, strumming their guitars real fast, giving each other a push and then repeating. I loved it. Every song went for under 2 minutes, was powerfully energetic and impossible not like. It was an action-packed experience. I can’t wait for more!

Galileo – Jordy Lane
Jordy Lane is a solo artist or ‘producer’ out of Sydney who’s been making some great music lately. His on-stage setup consists of a guitar, keyboard and vocals, along with a Mac that makes up for the limits of singularity. He handles it quite well and I was surprised at how well his ‘electronically tinged’ pop music translated into a live show. By far his biggest asset is his voice which is quite special and can easily drive a song on its own. Not wanting to pigeon-hole him or anything, but it kind of reminds me of the Death Cab For Cuite singer. All in all I was very impressed.


The Hits
You know when you walk into your standard night club and they’re playing those songs that EVERYBODY knows? The songs that aren’t necessarily the best ever written, but are just so much fun to dance to? Collectively, these songs are ‘The Hits’. The Hits show that when all is said and done, music is about having a good time. Forget trying to look cool, get on the dance floor and start screaming the lyrics to a 1980’s classic. That’s when you’ll discover the TRUE beauty of music.

Last Nite – The Strokes
Over the last few weeks I’ve been getting more than my fair share of The Hits. In fact I think I’ve got more than body can handle, but that’s beside the point. As I’ve brushed up on my knowledge, I’ve begun to wonder what the ultimate Hit might be. It’s quite a hard choice because a Hits session is rather diverse. How can you compare the pure violence of ‘Killing In The Name’ with the fanatical recitals brought on by Arcade Fire? (You can’t) But if there is an ultimate Hit, I’d have to say Last Nite would be pretty close. Not only is it incredibly addictive and incredibly well-known, but it’s ACTUALLY A GOOD SONG!

Making Plans For Nigel – XTC
While I haven’t always been the biggest fan, Spectrum is proving itself as one Sydney’s best venues for a healthy dose of The Hits. If you’re looking to annoy the promoter, who just so happens to be called Nigel, this is one Hit he’s not particularly fond of. Whilst it began as a joke at his expense, this song has quickly gathered popularity amongst my own circle of friends and now barely a car trip or party takes place without it. I’m not sure if it’s a good thing, but it’s well and truly stuck in my head.


MelbourneI recently took trip a down to Melbourne which was great fun, despite (or perhaps due to) sleeping just 5 hours per day. Ah well, such is the rock n roll life….

Cassandra – The Galvatrons
Seeing The Galvatrons is up there with the most hilarious moments of my life. They took everything good about Journey and Van Halen and delivered the best recreation of a dirty 80’s rock show I have ever witnessed. Just listen to that drum fill! Did I mention he had an axe! I couldn’t believe what I was experiencing. I loved it! And even though a lot of the entertainment came from the novelty of it all, they really did rock. I can’t wait till they come to Sydney. Hahahaha

Sidewalk – Built To Spill
Distant holidays mean long car trips which mean extensive playlisting. One thing that emerged as we explored the depths of our music collections was the sheer brilliance of ‘the big four’. That is, the first four tracks off Built To Spill’s “Keep It Like A Secret”. Together these four tracks make up one of the best 15 minute periods in all of music. I’ve now featured 3 of them, with no doubt that the fourth is on its way.

On Goings On

It's quite an exciting time for me because tomorrow sees Frequency Shift kicking off with a great big bang. It was put together by some friends and I and consists of our favourite Sydney bands playing over two nights at The Hopetoun Hotel. What more could you ask for? The amount of fun that will be had borders on downright ridiculous. I can't wait. It's quite a big weekend across Sydney, but I can tell you with 100% bias that this will be the best. I've raved extensively about most of these bands and for the others, you can fill in the blanks ("blew me away", "completely entranced by their fantastic melodies" etc.) Check the myspace page for details. See you there!

In other news from across the local blogosphere, Sean from A Reminder has released his annual 'Best Australian Artists' list, compiling the opinions of various bloggers and radio heavies. It 's quite an interesting read. Unfortunately I didn't contribute because a) I'm lazy b) I was busy c) I listen to way too much American music and d) I can never remember whether an artist came this year or last. I'm just disappointed that I didn't get to give the likes of Cloud Control, The Seabellies and John Columbus the boost they deserved (I wonder if it would have made a difference....). Ah well. Also, in case you lost hope, Get Big, Little Kid has come back from the dead. Hooray!

Be Right Back

I’m absolutely bursting with new music and yet it doesn’t look like I’ll get a chance to speak about it. Sadly, university exams beckon and my inefficient ways are coming back to bite me. I would love to add to the pile of Radiohead opinions, waffle on about my latest discoveries like Dr Dog and The Forms, report on Jack Ladder’s amazing new offerings, relive The Mint Chicks’ hilarious acrobatics at The Lair, digest the huge first announcement for the Laneway Festival and even plug the gig I'm organising, but alas, it all seems unlikely (somehow I get the feeling I’ll be able to make an exception for the last one). But don’t worry, in two weeks I’ll be free and back to my old ways, hopefully with plenty of catch up material. In the meantime, go watch some Curb or perhaps go follow some of the (not so subtle) links above.

Monday (+1) Mix #27

Energy – The Apples in Stereo
I’d heard of this band here or there, but it was only very recently that I actually got around to listening to them. As I put in New Magnetic Wonder, their latest album, I instantly liked what I heard. This song sums them up perfectly; powerful, energetic and happy. If you like what you hear, I’d definitely recommend looking further into them.

Let’s Replace The Cityscapes - The Triangles
If you thought the song above was happy, get ready for an explosion of pure joy. I remember hearing and liking The Triangles a while back, but clearly they got lost in the pile. When this song appeared on a mix CD, I was reminded just how much I enjoyed it.

Round & Round – The Smallgoods
That mix CD (Half A Cow compilation) continued deliver as it finally gave me an opportunity to hear The Smallgoods. I’d seen their name on chalkboards and posters around the place, but never actually listened to them. I like what I hear.

Alligator Snap – Tokyo Blonde
I’m still debating whether I like this song or just find it annoying. Tokyo Blonde really impressed me with their last batch of demos, so at first I was a little disappointed by their debut EP. However, the chorus to this song really grabs me so now I’m left unsure. You be the judge. One way or the other, they’re a band to watch and I look forward to seeing them live some time.

The Way – Record Producer
This is a bizarre little song out of Melbourne that has somehow ended up in my possession. I don’t really know anything about the band or what their story is (good luck finding them on the internet), in fact, pretty much all I do know about this song is that I like it. And as far I’m concerned, that’s all that’s needed.

Agnes Kain - Keep Walking or I'll Kill You

It’s weird. I’ve been buying music lately. This shouldn’t be a rare occasion, but sadly it is. I’ll save the whole music downloading debate for another day, but something’s not right, that’s for sure. So whether it’s an act of redemption or simply a reaction to the incompleteness of illegal markets, I’ve been doing my bit and supporting some local artists. Agnes Kain are one of those artists and I am now the proud owner of their debut album, Keep Walking Or I’ll Kill You. Don’t be fooled by the dark title, this is an album filled with warm moments and joyful melodies. Agnes Kain are a Sydney duo who like to keep things simple. The album was recorded in their bedroom and at no time do you feel like you’re being bombarded with excessive production. It is in this open environment that the beauty of these songs really shines through. The powerful female vocals are wrapped in an array of instrumentation, from violins to glockenspiels, transforming their memorable melodies into outstanding pop music. They find the perfect balance between depth and simplicity, producing a light-hearted atmosphere and that seems to float by as you get caught up in it. I’ll certainly be coming back to this album any time I feel like chilling out. Put them on, wait for your smile to arrive and then just relax.

All Time High – This is such a happy and spirited song, I feel like jumping around on the spot. Next time they play it live, they better watch out.

Puddles & Mud – Again, something about their music makes me feel light. This song demonstrates their cuter side, complete with hand claps. It has all the hallmarks of heartfelt home-made recording.

Label | Myspace

débuts, remplisseurs et moments monumentaux de baise

Le poteau qui ne contient aucun anglais compréhensible (et a besoin des poissons de babel pour y arriver)

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No Man's Woman

I’m not sure if a CD that has me singing The Veronicas’ songs is good thing. It may be testimony to the quality of this particular album, but it certainly doesn’t do much for my credibility. For those who aren’t aware of what this album is, it’s basically Australian men covering female artists. All the artists, on both sides of equation, are quite high profile and it’s pretty impressive for Dew Process to have assembled such a line up and made this CD happen. I must admit, I wasn’t very optimistic going into this CD. To me it seemed like a bit of gimmick; an intriguing gimmick, but not much more that. However, after listening through it a number of times, I’ve actually found myself impressed on a number of fronts. For starters, most of the songs being covered (and their respective artists) are ones that I’m not particularly familiar with. So in that sense, I’ve found it enjoyable purely on the basis of it being a nice mix of music. But it actually offers much more than that. It’s great to hear some of my favourite Australian artists, one after another, applying their signature sounds to these songs. Even artists I’m not particularly fond of, such as End of Fashion and Gyroscope have managed to impress me. In fact, there’s only really one track that I don’t thoroughly enjoy. This album provides a great snapshot of Australia’s varied music scene and does so whilst celebrating some music's most prolific female artists. It certainly is much more than just a gimmick.

Tracklist
1. Angus Stone – River (Joni Mitchell)
2. Powderfinger – Glorybox (Portishead)
3. The Vines – 4Eva (The Veronicas)
4. Expatriate – Missing (Everything But The Girl)
5. Lior – Landslide (Fleetwood Mac)
6. Bob Evans – Cars Wheels On A Gravel Road (Lucinda Williams)
7. End Of Fashion – Hanging On The Telephone (Blondie)
8. Dan Kelly – Nothing Compares To You (Sinead O'connor)
9. Whitely – Hyperballad (Bjork)
10. Josh Pyke – Wuthering Heights (Kate Bush)
11. Paul Kelly – To Bring You My Love (Pj Harvey)
12. Gyropscope – Cannonball (The Breeders)
13. Grinspoon – Boys In Town (Divinyls)
14. Tex Perkins – I Am Woman (Helen Reddy)

The CD is out now and comes with a bonus disc containing nine of the tracks by their original artists. You can also catch some of the artists performing these songs as part of the Legs 11 concert. Click here for details

Released: 20/10/07 | Myspace

Plastic Palace Alice

Ah Melbourne. I’ll probably never know if it truly is superior to Sydney, but with all the excellent music I’ve been discovering lately, I wouldn’t be surprised. The latest Melbournians to deserve a mention are Plastic Palace Alice. I’ve known them for a while now (as you may too have), thanks to their song ‘Empire Falls’. To put it simply, it’s brilliant. They’re currently in the process of launching this single and if you haven’t yet heard it, I’d highly recommend it. But with all the attention that gets paid to this one song, you’d be forgiven for wondering whether it was all they had. Well wonder no more because I can safely tell you it’s not true. Plastic Palace Alice deliver a blend of music that combines powerful excitement with delightfully indie sounds. What's more, they do it consistently. It's the perfect fill in this post-Arcade Fide era, where we expect music to be nothing less than emotionally monumental. This strength of theirs especially clear when you go to see them live. The atmosphere is energetic and their songs produce a real sense of movement, taking you along for the ride. I also like the fact that they seem to be made up interesting characters. I won’t go into the details, but they have ‘guitar god’, with his countless pedals and various toys and a ‘crazy bassist’ who goes above and beyond his head-bopping requirements, just to name a few. There’s always plenty going on in a Plastic Palace Alice show. You certainly won’t be disappointed.

The Girl Who Cried Wolf – Just to prove my point that they’re not just a one-song band, here’s something different. It really highlights their vocal abilities, including male/female harmonies and, of course, multi-dimensional medleys. It all comes together into quite a compelling piece of music.

Video: Empire Falls

They just passed through Sydney so you may have just missed them (Brisbane people, you still have a chance). However, they will be back in early December so make sure you check them out. You can get the Empire Falls single (which includes both the above songs) from their myspace.

Monday Mix #25

The Lowest Bitter - Les Savy Fav
Les Savy Fav are a band that I’ve never really embraced, but after hearing their latest record, I’m starting to wonder why. In the past I’ve found them a little rough, but perhaps I misjudged them. I'll certainly be giving this album (and their last) a thorough listening

Big and Small – Sui Zhen
I saw Sydney artist Sui Zhen for the first time at her EP launch last Saturday and was quite impressed. She has one of those very special voices and uses it well within her soft-yet-powerful blend of music. Fans of Joanna Newsome should definitely take notice. I don’t think this song does her talent much justice though, so you should defintely try to catch her live if you can.

In Your Hands – Tin Alley
I feel as if I like Tin Alley when I shouldn’t. It’s as if their music isn’t really the type that I would normally listen to, but I can’t help but be impressed by it. I have no doubt that there will be someone (or many ones) out there, who will thoroughly enjoy this band.

Carry The Zero – Built To Spill
My little brother recently mentioned that he was getting into Built To Spill and when I stopped to think about it, I remembered what an incredible band they are. The album which this song comes from, Keep It like A Secret, is especially brilliant. Perhaps we should all take this opportunity to revisit their expansive and highly-rewarding back catalogue.

One Chance – Skipping Girl Vinegar
Skipping Girl Vinegar win the prize for the most elaborately (excessively?) packaged CD to ever be sent to me. Firstly, the disc is designed to look like a vinyl and is packaged in the signature white cardboard sleeve with a hole in the middle. On the back of this is a little library book pouch, complete a removable card that gives details of the CD, stamped and signed as if previously borrowed. All this extravagance is then encased in a nice smooth plastic sleeve. Not only is it a lot of effort to put into a two track single, but it’s also quite a risk to send one of these resource-intensive CDs to a blogger who will more than likely look at it once and then forget about it. Well that’s exactly what I WOULD have done, had I not been blown away by the packaging. Apparently their gamble paid off, because this CD managed to remain in my consciousness long enough for me to realise that it actually contains quite a good song.