Mini Review: The Forms

The Forms caught my attention very early, but they almost got lost amongst a sea of new music. If anything, I'm writing this to prevent myself from forgetting about them again. The self-titled album which they have recently released is actually their second, though it's the first I've heard. Their sound is an interesting one, which concentrates on building layers of smooth, washy harmonies rather than defined, crisp melodies. It works quite well for them and often evokes memories of TV On The Radio. If I had one criticism, it would probably be that many of the songs sound too alike, failing to really define themselves. All in all, this album is certainly worth a look if you enjoy the song below.

Knowledge In Hand

Digital Music: Other Stores

There are tons of music downloads services out there, so obviously I can’t try them all. However, here’s a few more that have caught my eye.

7 Digital / Indiestore


7 Digital is a digital music store operating out of the UK. I’ve only just come across them, but they definitely seem like one to watch. For starters, most of their content is available in multiple formats including WMA and FLAC, as well as high and low quality versions of MP3 and AAC. Once you buy a song, it is kept in your ‘locker’, which can be accessed from anywhere, and downloaded in any of the available formats. It’s good to see this sort of flexibility in a market characterised by restrictions.

The range at the 7digital store is a mix of mainstream and ‘mainstream indie’ and while it doesn’t compare to iTunes, it’s decent. This range is expanded by the inclusion of the Indiestore, which is attached to the regular store and is a place where smaller artists can upload and sell their material. This is still in its early stages and I didn’t really see any artists I recognised, but hopefully it will grow and it’s good to see them doing it.

I bought a single with this service and it was ridiculously easy. The inclusion Paypal made payment simple and whole process was nice and straightforward. Seeing as I haven’t used it more, I can’t really offer a detailed opinion, but on first glance, it seems worth a try.

BigPond

Telstra’s BigPond service is as close as we have to a complete entertainment solution in Australia. On top of your mobile phone and broadband, you can now get music, videos and games. However, this is hardly anything to get excited about. While they do have a large range, it’s nothing you can’t find elsewhere and unfortunately it’s all sold as protected WMAs. I can only really recommend it to existing BigPond customers (who get discounts), but in truth, I think you’d be better off bypassing Telstra all together.

CD Baby

CD Baby is an online store doing great things for independent artists wanting to sell their own music. Many of the albums are now available as MP3s

Amazon

Amazon have put a lot of time and money into taking on iTunes with their MP3 store and on first glance it seems pretty impressive. Unfortunately it’s only available to US customers so I guess we’ll have to wait.

Next: Music Discovery

Mix # 30 something

I Get AroundThe Beach Boys
Last week I had the pleasure of seeing Brian Wilson. Despite him missing many of his lines, barely touching his keyboard and just generally being out of it, it was an incredible show. It really is testimony to his genius and the strength of the Beach Boys material. His band were also excellent, especially Jeff Foskett who really carried the performance. Don’t ever let anyone put you down for listening to a bunch of men singing falsetto harmonies. It’s heavenly.

From Little Things, Big Things GrowPaul Kelly
Also playing at this show was Paul Kelly. It must have been over 5 years since I’d listened to his music, but it was still fresh in my mind. This song at the end was a highlight. It was also amusing to see a guy up the back, jumping up and down the whole time yelling “we’re so lucky!”. Either he REALLY likes Paul Kelly, or he got lost on his way to the Fuzzy party.

Oregon GirlSomeone Still Loves You Boris Yeltsin
I’m in the very early stages of listening to this band, but so far I like what I hear. This song has a very Weezer feel to it, but it’s just one of the many different styles they produce. I’m really not sure why they’re not better known. Perhaps they went a little TOO far with the weird name thing.

Your NameOh! Custer
The latest trend I’ve been noticing is the emergence of labels that regularly put out 3 inch CDs by various bands. I’m not sure if any labels here in Australia are doing it, but I know a couple of Aussie bands have been involved, including two that I mentioned in my last post. Perhaps the most prominent of these labels is Cloudberry Records, who have been pumping out three of these CDs per month. The folks at Skatterbrain and IndieMP3 have been kind enough to compile their top ten, which you can download as an album. Get them while they last.

ParachuteShugo Tokumaru
Keeping with the theme of plugging other blogs’ lists, Off The Record, have put out some rather interesting Best of 2007 ones. I was rather surprised to see so many releases I didn’t recognise, as well as a number of international albums. It’s a refreshing change to the more or less identical lists that seem to be popping up elsewhere.

The Hopetoun Hotel's Melbourne Menagerie!


Just in case you didn't have enough great shows to go to in January, here's another one. This Saturday, three of Melbourne's finest indie-pop bands are coming up to Sydney to play one special show at The Hopetoun Hotel. It's an overdose of super sweet sounds. Melbourne really does beat us hands down when it comes to making warm, energetic and fun music. It's sure to be a treat. Here's some samples by each of the bands:

The Zebras - You Look Ready
Summer Cats - Discotheque
The Motifs - Backwards

Sydney band, Our Monk, will also be opening on the night.

More details here

Can't wait!

Digital Music: JB Hi-Fi

(click to visit)

Background

JB Hi-fi’s music download service is one of many run by Destra. Destra don’t have a store of their own, however they provide the catalogue and back-end for anyone else wanting to set one up. Their customers include other big stores such as Harvey Norman’s and ABC’s. It’s quite an intelligent business model because it allows them to build off the brand names of other franchises. One downside of this is that other than the interface, all the Destra stores are pretty much identical. So while we appear to have some choice in this market, we don’t.

Range

There’s no denying that JB Hi-fi shops have become a great place to find music. They’ve got a huge range, consistently lower prices and these days there’s always one nearby. Not only this, but they are beginning to rival smaller, independent retailers by stocking more obscure releases.

Sadly, however, anyone thinking they’ll have access to this expansive catalogue in digital format will be disappointed. You see, other than the name, this digital store holds no relation to JB Hi-fi stores. The range, while large, is mostly mainstream and ‘Top 40’ stuff. For anyone who’s become used to JB Hi-fi’s reputation, this is a bit of a let down. Still, its not all bad. You should be able find any artist who is relatively popular and the occasion smaller local release will also pop up.

Method

I’m not 100% of this, but I think you can buy vouchers, similar to iTunes ones in JB Hi-fi stores. Otherwise, you can always buy online. Thankfully, they have included Paypal, which makes paying a breeze for those who aren’t fans of using their credit cards. You can either buy an online voucher or pay for each item directly. Be sure to do the latter or you may end up with $1.50 useless credit like I did.

Like all digital download stores, JB Hi-fi has a rather rigid price structure, with standard prices for tracks and flat rates for albums. However, whereas other stores might offer the occasional variation, JB Hi-fi is rock solid. Each track is $1.69 and any album with ten or more tracks is $16.99. No exceptions (that I saw). This is great news for fans of Explosions in the Sky, wishing to pick up an album for under $10, but to me it seems lazy. Either they don’t care or haven’t put any thought into it, neither of which instils much confidence.

For the most part, JB Hi-fi sells their songs in Microsoft’s protected WMA format. This is the most common way of doing things and also the most controversial. The idea of being restricted to Window’s Media Player, required to download licenses and limited in how I used the files certainly didn’t appeal to me. I joined the masses in demanding its demise. But maybe, just maybe, I was complaining about nothing. Maybe things would all go nice and smoothly. Ha!

I downloaded one song as a test. Getting it was easy enough, listening to it was another matter. First I had to acquire a license. This failed. I was then told I needed a security upgrade. Which I got. Then I reloaded the song and was told the license for this song had already been issued and I’d have to do it again. These messages just kept on coming and kept on failing. I even tried redownloading it as well as using another computer, all to no avail. In the end I gave up. I had paid $1.69 for a useless piece of code. I couldn’t help but laugh at how dismally it had gone. Imagine how disappointing it would have been for someone who was actually eager to hear their newly PURCHASED music.

But the woes didn’t end there. JB Hi-fi also sells some music as unprotected mp3’s (though they are fingerprinted so they can track who spreads them – scary). This is a good sign and it seems as if they are trying to move more of their collection to this format. I bought an EP worth of mp3s and everything seemed to go fine. That was until I got to the last track and found it was corrupted. In other words, unlistenable. I sent an email to support, but got no reply. I gave up. JB Hi-fi sure weren’t making a very good impression on me.

Yet another problem with JB Hi-fi is that after you’ve bought your files, actually downloading them can be quite a hassle. They are all collected nicely in the ‘My Media’ section, allowing you to easily see and reacquire them, however, you must download each individually. When you have a number of files (like an album), this can get annoyingly tedious, especially since the page reloads each time you click one. It really makes you appreciate the ease of the eMusic and iTunes download managers.

Conclusion

I almost feel sorry for JB Hi-fi’s music store. The problems I encountered are probably incredibly rare, and in the case of the WMA file, possibly my fault, but it’s a painful reminder of the potential hassles associated with buying songs online. Three weeks later I managed to get my song playing and the corrupted file had been fixed, but it doesn’t change the fact that they messed up in the first place. The only really positive feature of this store is the inclusion of Paypal, which while handy, is always bypassable and isn’t really a unique feature. Sadly, I can’t recommend this service, other than as a last resort.

Next: The rest

Soft Tigers - Gospel Ambitions

If you know of Soft Tigers, it is most likely for their two biggest songs, M.A.R.I.A. and Mr Ice Cream. This is no surprise, because after all, these two songs are undeniably great. Catchy, energetic and fun, these two have ‘hit’ written all over them. You may also have seen them live and discovered a whole new side to them. Their on stage show is far more chaotic, mixing shambolic recreations of their recorded material with all sorts of new sounds. This experimental (and a little apathetic) approach means you never what you’re going to get.

Well their debut album demonstrates yet another side to Soft Tigers. It isn’t a collection of hits. In fact a number of the songs deviate significantly from any sort of ‘song’ structure. Similarly, their rough edges have been smoothed and their chaos given some direction. These changes are certain to leave some fans a little disappointed and as a result, it’s hardly a shock to see this album failing to make waves in the music community. But as far I’m concerned, it delivers everything the Soft Tigers promises to deliver, even if it’s not quite what we expected.

The problem is that on first inspection, Gospel Ambitions certainly seems to be rather weak. You can’t help but hold on to the hope for an album full of M.A.R.I.A.s. But on closer inspection, you’ll discover this album to be great for plenty of other reasons. It’s softer, more intimate sound displays a genuine for love creating music filled with cool sounds and engaging melodies. At first I thought it to be rather sloppy, but I realise how well they’ve captured the spirit of music, imperfections and all.

I’m not trying to proclaim that this is some sort of spectacular album that everyone should love. All I’m saying is that it appears widely misunderstood, and as far as I’m concerned, critically undervalued. What impresses me most is that their rise in popularity has certainly seen no compromise of integrity. Soft Tigers make music how they like to make it, not how they think will sell best. They haven’t just found a winning formula and stuck to it and their shows aren’t just live recreations. They offer far more variety and as a result, a far richer musical experience.

Making Love – This song perfectly demonstrates some of the different sounds to expect on this album. The song travels through a number of different styles, each reflecting the mood of the story being told. It actually quite an interesting song that really captures your attention.

M.A.R.I.A.
– Despite all the talk of a different sound, it doesn’t change the fact that all their biggest hits are still on the album. Not only that, but they also fit in seamlessly as the album progresses.

Heaven 07



I have super gig on offer for all you Sydney people. Basically we'll be setting the stage up and inviting a heap of Sydney musicians to come play. It will all be for a bit of fun as they play covers and collaborate with each other. On top of everyone listed above, we've managed to reel in Brian Campeau, Richie Cuthbert, Dead Letter Chorus and many more. This mayhem will be bookended by a bit of sanity thanks to full sets from The Ringleaders and Justin Grounds (Melb). Check the myspace for a full spiel.

Also, if we manage to organise ourselves, we may be forming a 'band of bloggers' composed of people from A Reminder, Twelve Major Chords, Get Big, Little Kid and Open Your Eyes. Crazy! Of course, knowing us it will probably fall through, but its a possibility.

It all takes place this Sunday, from the early time of 6pm at The Hopetoun Hotel.

$5!

Arcade Fire Are Coming....

I think if there's one band out there that I'd like to see more than any other, it would have to be Arcade Fire. It's a big call, I know, but just the thought of seeing their music performed live gets me excited. Well as you probably already know, they are coming to Australia for the very first time, this January. It's a momentous occasion, and I should be over the moon, but instead, I'm just depressed. You see, I don't have tickets. A mental blank on the day of sale and my decision to skip Big Day Out this year has left me empty handed. It's a sad story. But don't worry, I'll be there. I'm on the hunt for spare tickets and if that fails, I'll be working extra hard on my sneaking abilities. Not even big angry bouncers can stop me from going to this event. It's my calling. Why Arcade Fire? Why must you be so damn popular!!

See you there.

Digital Music: iTunes

(click to visit)
Background

As far as digital music goes, iTunes is the king. It kick-started the industry and continues to dominate it. While others were hurt by DRM, Apple powered on regardless. Exact figures are hard to find, but their share of the digital download market stands at something absurd like 80%. It’s not all bad news for the competitors, though. There’s plenty of room for improvement and the keys to Apple’s success are hardly a big secret. It will be interesting to see how the expansion of this market pans out, but for the time being, iTunes sits at the top for one very good reason: it’s the best.

Now don’t get the impression that I’m some kind of Apple fan boy. Far from it. I’ve never owned an iPod and I’ve always steered clear of iTunes because it lacked flexibility. But there’s one thing I’m always willing to admit: Apple has style. Everything they put out is so damn cool and I can understand why people throw themselves at it. If I had a spare $400, I’d buy an iPod Touch to admire how thin it is. And the way all their products seamlessly integrate just makes them all the more amazing. I would love nothing more than to surround myself with everything Apple. Sadly, however, their products are a little TOO good.

You see, in order to truly enjoy one of Apple’s products, you have to enjoy them all. I can’t just buy an iPod and bask its sexiness. I’d have to use iTunes to manage it, sacrificing many of the features I enjoy in other programs (read: obsessive tagging and organisation). Similarly, if I wanted to skip the iPod and just enjoy the products on offer in the iTunes music store, I’d be out of luck. Sure, iTunes is beginning to sell some songs as unprotected mp3s, but the majority will still only work on the iPod. Sadly, it seems you can’t enter the Apple world half-heartedly. It’s either all or nothing.

If money wasn’t such a concern for me, I would buy their ipods, buy all my music on iTunes, buy a PowerBook, buy an Apple TV and probably buy an Airport or two to connect it all up. Life would be bliss. Sadly, money is a concern for me, as it is for most of us. And so, my life has been relatively Apple-free. To an extent. Both my brothers and half my friends have iPods so I know the iTunes set up quite well, but up until now, the store was only ever entered by accident (argh! how do I get out? please don’t take my money!). Well now I’ve finally tried it and was rather surprised with what I found.

Range

I always knew that iTunes had a big catalogue. After all, it is the most popular service so you’d hope so. But after exploring it, it exceeded all my expectations. It is undeniably impressive. Unlike other services which may cater for a specific audience (independent or mainstream etc.), iTunes caters for pretty much everyone. I found a good 95% of everything I would want to buy, including a number of smaller releases by local bands. They have Cloud Control and John Columbus! Wow.

Their catalogue is so extensive that it is actually beginning to rival physical CD stores. In fact, in many cases, it surpasses them. That certainly can’t be said for any of the other digital music stores. The popularity of iTunes has put Apple in the perfect position where artists actively try to get their music added. This means their catalogue stays updated without them having to chase music. Still, not everything is rosy. Relations with Universal have been a little rocky lately and the loss of major labels is always going to hurt. Also most of the music you find is protected and thus limited to your iPod and the iTunes software. The iTunes Plus range, which gives you unprotected, higher quality files, is still fairly limited and leaving a lot to be desired.

Method

Anyone who leaves their house will know that you can buy vouchers to use in the iTunes music store. They come in a variety of sizes and are available pretty much everywhere. They are a nice alternative for those without a credit card, though it can be annoying when you’re left with $1.50 that isn’t enough to buy anything. Whichever method you use, you’re credit is displayed in the top right and is automatically reduced as you buy music.

If you want to use the iTunes store, you’ll have to have the software installed. Though it depends on your particular setup, I’ve always found iTunes to really eat away at my computers resources. Of course this isn’t ideal, but it isn’t too big of an issue. Once it gets going, everything seems to run smoothly. In typical Apple style, the interface is very simple and uncluttered. The home page gives a number of different recommendations, including personalised ones. Search results are also laid out nicely, allowing you to easily find what you what. As far as options for browsing go, iTunes is as comprehensive as you’ll find.

Like most digital music stores, iTunes has a fairly rigid pricing scheme. Tracks all cost the same and full albums can be bought as a slightly discounted package. It’s all pretty standard stuff. Thankfully, the iTunes Plus range doesn’t any cost more, which is a promising sign. Hopefully this means they’re aiming to move the entire catalogue into this format.

Once you’ve found want, you simply click the buy button and the songs are added to your purchased list where they start to download. The whole system is brilliantly straightforward. You can pause the downloads, alter the order they’re downloading in or just continue browsing while you wait. Once they’re done, they are automatically integrated into your collection for you to enjoy. The process goes so smoothly that I’m starting see the appeal of having your music player and store wrapped up in one nice application.

Most of the music you get from iTunes will be protected and in Apple’s proprietary AAC format. For those of us who don’t use iTunes or an iPod, this can be problematic. You could just leave this music as it is and use iTunes whenever you wanted to listen to it, but this would be rather limiting. The better option is to burn it to a CD. Not only does this allow you to enjoy it like any other CD you may have bought, but you can also rip it back to your computer as a standard mp3. After all, you did the right thing by paying for it, so bending the rules a little shouldn’t hurt.

Conclusion

If you’re an iPod and iTunes user, this store is a Godsend. The combination of range and simplicity actually makes buying music a pleasure. If you want to buy music online, you have the perfect solution. For the rest of us, iTunes isn’t so saintly, though it does fair pretty well. It’s hardly practical to burn and re-rip every album you want to buy, so I’d say it serves best as a backup option for the hard to get items. On the other hand, you have the smaller, but more friendly iTunes Plus collection. If you find a CD you want in this format, go for it. You do have to manually convert it to mp3, but this is nothing compared to the trouble you’ll go through with some other on-demand music stores.

Before I tried this service, I was very negative towards it. The way Apple forced protection and their own formats on buyers just didn’t sit well. Whenever I saw a ‘Buy on iTunes’ link, I scoffed at the thought of giving my money to this big corporation and would look elsewhere. But iTunes isn’t as bad as I always thought. On protection, they are at least trying to improve things and when it comes to the whole selling process, they are the beacon of hope. I’d still like to see more improvement, but they certainly deserve some credit for all the good things they’ve brought to this industry. The iTunes music store is a genuinely viable option for buying your music. If you’re yet to try it, I recommend you shed your preconceptions and just give it a go. You may be pleasantly surprised.

Next: JB-Hifi

The Grates

Like many who have come before me, I’m here to exclaim that Patience Hodgson is one of the best damn performers ever. The Grates played a special Christmas show at The Annandale last Wednesday and it was amazing. She came out bouncing and didn’t stop bouncing. She jumps around like a crazed fan and genuinely gets into her own music. It’s brilliant. With her having so much fun up on stage, it’s pretty hard not to get involved. Her enthusiasm is infectious. For those who find her voice slightly annoying (I was one of them), I’m telling you, it pales in comparison to the energy of their live show. You’d have to be pretty cynical to watch them and not to have a great big smile on your face.

While Patience undoubtedly steals the show, I was impressed by the band as a whole. They had quite a bit of new material to show off, but rather than shoving it down our throats, they played it sparingly, making sure to give the fans what they wanted. Still, my initial impressions of these new songs are pretty favourable and I can see the next Grates album being just as big as the last. If you’re yet to see The Grates live, I recommend you do it as soon as you can, regardless of how you feel about their music.



Digital Music - Subscription Services

Unfortunately a combination of factors (time, money and the law) meant that I wasn't able to actually try any subscription services. However, I did the next best thing and scoured the internet to get a feel for what they involve. They are quite intriguing indeed......

For those who don't know, these things work by giving you unlimited access to their catalogue (usually in the order of 2 million tracks) for a flat monthly fee. You can download and listen to as much as you want and in some cases, fill your mp3 player up with the music. The catch? You don’t own the music. In essence you are renting it rather than buying it. Still, at $15 a month, this all-you-can-eat option seems pretty enticing. So why has it done poorly? This was the business model that looked set to revolutionise the music industry. Why isn’t everybody taking it up?

For starters, every service out there is heavily tied to Microsoft. You must use a Window’s PC, you need a certified ‘Playforsure’ mp3 player and you are required to use either proprietary software or Windows Media Player. This is problematic because, let’s face it, Microsoft’s DRM technology is flawed. Sadly, more often than not, you’ll find yourself fighting the system, rather than enjoying it.

Secondly, these catalogues with millions of tracks are still missing a considerable amount of music. They cater towards more mainstream audiences, leaving a lot of independent (ie good) music out. Any music lover with half-decent tastes will find these services falling short of their needs. Finally, people simply like to own their music. It’s something to treasure. With subscription services, you don't get to keep any of it (unless you want to pay more). If the service was to suddenly shut down, you’d be left with nothing.

Now this has been a rather negative account and to be honest, it’s really not fair for me to rip into them when I’ve never even tried them out. However, I am merely trying to offer some insight into why these services haven’t taken off. As far as potential goes, I think they are incredible. If someone was to get it right, with a service that catered to my tastes and was easy to use, I’d be the first to jump on board. All reports seem to suggest that these services are gradually improving, so I may not have to wait that long.

Unfortunately these services aren’t available in Australia so I couldn’t try them if I wanted to. They are mostly based in America, though UK and European listeners should be able to find a couple. The dominant force appears to be Rhapsody, while Yahoo! Music Unlimited and Napster seem to be big competitors. If you’re interested, be sure to do plenty of research beforehand.

Next: The Mighty iTunes

Brown Bear - Music To Swim To

You’d be surprised how inefficient the promotional process is. Of all the emails and CDs I get sent, rarely does it lead me to discover something I like. I’m not sure if it’s my laziness and meticulous tastes or poor choices those sending me the music, but the success rate is pretty pathetic. However, every now and then, something incredible will land in my lap and it makes the whole process worthwhile. Brown Bear’s second EP, ‘Music To Swim To’ falls into that category. It only took a couple of listens before I realised I had something special in my hands. It was quite unexpected because they have a sound that is much softer than I would normally listen to. But clearly the might of their song-writing won out because I’ve well and truly fallen for them. Their sound is one that manages to combine calming minimalism with a richly textured atmosphere, driven by some excellent vocals. Strangely enough, I’d say their closest comparison would the similarly named Grizzly Bear. There's also a parallel with some of Radiohead's slower numbers, though I'd hate to set the bar too high. With 7 tracks coming in at over 30 minutes, Music To Swim To is more than just your average EP. Incredibly, each song seems to have at least one moment when you feel like you’re witnessing some musical brilliance. Unfortunately, this potential isn’t always met, but it doesn’t stop the EP from being an outstanding effort. It’s early days yet and I’m excited to see what this band delivers in the future. They’re currently based in Brisbane, but will be heading down to Sydney in early January to play a cool 4 shows in as many days. I'd recommend you try to see at least one, I know I will be.

Naked
– This song was the first to really grab my attention and it seems I’m not alone. The tranquillity of it is irresistible.

Was That It – At 5 minutes, this song is more reflective of Brown Bear’s typical song length. It further demonstrates how effortlessly they appear to craft these humble, engaging melodies.

Released: 26/10/07 | Myspace

Digital Music: eMusic

(click to visit)

Background

eMusic is a subscription-based service that specialises in independent music. With over 250,000 users, eMusic is currently the largest online music subscription service. Unlike others, which let you 'rent' unlimited music from their catalogue, eMusic gives you a certain download quota per month and the songs you get are yours to keep. What makes eMusic amazing is the value. The cheapest package gives you 30 downloads for US$9.99 per month. That works out at just over 30c per song, a whopping 3 times better than you'll find in most places. And premium packages give even better value. Not only this, but all eMusic downloads are unprotected mp3s. They truly are the beacon of hope in the digital music industry.

Range

The eMusic catalogue covers the entire independent music spectrum. You have the lesser known artists (I even found locals such as Mercy Arms), the heavyweights (Pixies, Belle & Sebastian, Yo La Tengo, etc.) and everything in between. While it certainly isn't perfect, it's quite impressive. The only real noticeable omissions are the bands on major labels (Arcade Fire, The Shins). I'm not sure if this is a deliberate attempt to stay indie or due to licensing restrictions, but either way, it's not that big a deal. Big guns like Matador and Polyvinyl bring plenty of credibility to the table. One other strange thing was that when visiting a particular artist, I was told it wasn't available in my country. I've only seen it once in about 100 artists and I'm sure there's a way around it, but still, it could be an issue.

Method

Being subscription based, you are required to give a credit card, which is charged monthly. After signing in, you are shown how many downloads remain as you browse through the catalogue. The site has a number of different ways for finding music. You can browse by genre, decade, rating and more, as well as search and look at various lists like ‘Editor's Picks’. Each artist also has links to similar artists, their influences and even bands which they have influenced; it’s a great way to discover by jumping from one to another. When you want something, you can either download it manually or use the client. This client is nice and simple and makes downloading whole albums a breeze. As I mentioned earlier, these mp3s are all unprotected, so once you get the files, they're yours.

Verdict

The eMusic system has two main flaws. Firstly, there is no flat fee for buying a complete album. This means an Apples In Stereo album (20 tracks) will cost 4 times as much as an Explosions in The Sky album (5 tracks). It's great news for EITS fans, but hardly an ideal system. It also means there is no incentive to buy a whole album instead of just individual tracks (in contrast to Insound). The other problem is the inflexibility of having a download quota, especially since unused downloads don't carry over. If you want three albums in a month, but they have a total of 31 tracks, too bad. You have to wait till the following month before you can get the last track. This is especially problematic because your monthly choices will rarely add up to a nice number. Instead, you'll always be getting single tracks to fill up the gap. Not good. Thankfully, eMusic has a 'booster pack' available, which serves as a reserve supply for when you go over the limit, helping to partly alleviate this problem.

Despite these few negatives, eMusic is very good. Quite possibly the best. Everything I mentioned about the range, value and ease makes it a very tempting option. They offer two week trial which gives you 25 free tracks, no strings attatched. It's a great way to test it and I'm happy to report that you can cancel quite easily without being charged (though they do their best to convince you out of it). As I revisited the eMusic website today, I discovered a number of albums which I wanted to get. I almost wrote them down so I could download them illegally before I realised how disgusting this was. eMusic has impressed me so much that I'm strongly considering signing back up and using it regularly. Sure it has its faults, but eMusic actually does justice to idea of buying music digitally and best of all, rewards the artists we all enjoy so much.

Next: Other options

Monday Mix #30

Down On The Ground - British Sea Power
I’m relatively new to British Sea Power, with their latest EP being my first (and only) experience, but this has been more than enough to convince me that they’re worth some attention. I can only imagine what their live shows are like, but judging from the atmosphere they generate in their recorded music, it would be pretty special.

DiagonalThe Motifs
In case you don’t know, The Motifs is mostly one girl, Alexis, from Melbourne, playing some unbelievably sweet pop music. I recently ordered her brand knew 6-track EP which comes lovingly hand-packaged, courtesy of WeePOP Records, and limited to just 120 copies. When it arrives, I think I might explode from an overload of cuteness.

The People - Young Lovers
Young Lovers are another Melbourne band, but of a vastly different sound. They make epic indie-rock music that’s laced with some pretty infectious dance beats. This sound of theirs is quite impressive and sure to be a hit across the country. I get the feeling we’ll be hearing a lot more of this band, very soon.

Animals (video) – Sparkadia
Sparkadia are one of many Sydney artists to be snapped up recently by indie label, Ivy League Records. I think they must be reading mind when it comes to band selections. It’s great to see them supporting all these excellent bands! Sparkadia haven't done too badly out of the deal either. They just got this shiny new video for their latest mega-hit, Animals, and will be putting their debut album out early next year.




DaysShe Is So Beautiful / She Is So Blonde
This bizarrely named solo project has given rise to some rather interesting music. I’m not totally convinced yet, but you never what the test of time holds.

I Heart Hiroshima

When I was asked to name a lesser-known Brisbane band, my first thought was I Heart Hiroshima. This was despite having never seen them live and not really knowing what they sounded like (I’d heard them, but mustn't have paid attention). Clearly they were doing something right on the promotion side of things. Well now I have given them a proper listen and there's certainly no way they’ll be escaping my consciousness any time soon. I recently invested in their debut album, Tuff Teef, and it was one of the most satisfying purchases I’ve made in a long time. At first I was a little put off by the rough edges and raw sound, but this was quickly outweighed by how immersed I became in the energy they create. Their lack of a bass player is often cited as central to their sound, but to be honest, I can barely notice it. For me, the overwhelming factor that defines them is the vocals. To give a rather crude explanation, it’s pretty much two guys and a girl taking turns at yelling at you. In writing, it sounds rather unappealing, but when you hear them and really get to know their music, you’ll understand why I consider it to be a positive. They've found the perfect level of 'in your face' that makes you sit up and pay attention without it getting on your nerves. I must admit that after a good 15 listens in two weeks, it is beginning to wear away at me, but in moderation, this is music to hold dear. I’m really surprised that more wasn’t made of this album, because it’s probably one of the best to come out of Australia this year. I can’t wait to see them live.

Punks – The first three songs on this album are especially strong and of them all, this would have to take the cake. The drums give it a real sense of direction, focusing all their energy into one place. Powerful stuff.
Lungs – As an opening track, this song does the job perfectly. It introduces the softer side of their sound, gradually building the tension before breaking out into a full blown onslaught. All in all, a nice little sampling of I Heart Hiroshima.

Digital Music. Insound

(click to visit)

Background

Insound are an online Vinyl / CD store that has recently branched out into selling digital downloads. What makes them special, however, is that only full albums are available. This is great to see at a time when downloads are driving the popularity of individual tracks. While getting single songs can have some benefits, it also degrades the value of the album. If fans are just buying tracks and shuffling them, albums cease to become relevant. This is bad. That’s why I have plenty of respect for Insound. They’ve even setup a ‘Save The Album’ website, which features videos from popular indie artists, championing this cause. Check it out!

Range

As an indie music store, they have a range that caters to my tastes pretty perfectly. This is the kind of shop that puts Grizzly Bear and Battles on the front page, while requiring you to search if you want Kylie. They have an excellent selection of music, however, there’s a catch. Most of it isn’t available for download. Even a search for The Shins will come up blank. By all means, check if you’re favourite release is available, but unfortunately Insound’s digital catalogue is far too small to be a viable option. Hopefully in time it will expand.

Method

The download method at Insound is quite simple really. You add the album to your cart, just like a real CD. The prices are reasonable, less than physical purchases, of course. Once you’ve got what you want, you go to checkout and pay for it just like anything else. It does require a credit card, but that’s not a problem for most. Afterwards, you’re given a link to a zip file with all the mp3s inside. Done! You can download the file up to three times in case you delete it.

Verdict

These mp3s are unprotected and 192kbps, which is great, but also strikingly similar to what you’d find on a peer2peer network. And that’s a problem. Other than legality, this purchase offers nothing over downloading the files illegally. When you buy a CD, you at least get SOMETHING. It’s colourful, it’s physical and it’s yours to treasure. But when you buy digital, the experience is rather hollow. You merely get a few files, files which are quickly lost amongst your thousands of other files. It’s not a critique of Insound directly, but digital downloads in general. I think they either need to be made cheaper (so you feel like you gained something, rather than lost money) or perhaps you should get something more. Some scans of the liner notes wouldn’t have gone astray. Is that too much to ask?

Next: eMuisc

Digital Music. Part 2 - Stores: International

If you’re looking for new ways to buy digital music, look no further than America. Or Europe. In fact, look anywhere other Australia. Not only will you find plenty of places offering the format, but also a surprising amount of variety in the method. Some are available internationally, some aren’t, but either way, they’re a refreshing change to the limited and monotonous industry here at home. I took a look at some of the options that caught my eye:

Bridezilla

Bridezilla just keep getting better and better. Every time I see them, they impress me on a whole new level. It would be wrong to say that they were ever shy, but whatever they were, they’ve improved. Daisy (violin) and Millie (saxophone) strut around the stage in complete comfort and confidence, as if in their own bedroom, belting out powerfully emotive sounds that do justice to both their classical background and modern stylings. While those two are the heart of their music, Holiday is the soul. With the spot light shared more evenly, she is left to deliver her haunting vocals in peace. She does so with such conviction that you can so easily get caught up in the moment. And to their credit, Josh (drums) and Pia (guitar) manage to keep all this mayhem grounded and guide the ship towards a very solid sound.

I know they’re probably sick of people mentioning their age, but I just want to make one comment. Rather than trying to capitalise on the novelty of their youth, they're taking things slowly and letting their sound develop. For this they have my upmost respect. Bridezilla aren’t good because they’re young, they’re good because they’re good. They recently put out an EP which captures their live sound surprisingly well. They may not make the most accessible music, but this release proves they have a bright commercial future ahead of them. For a while I thought that ‘St Francine’ might be all they had, but they’ve come out and equalled (perhaps even surpassed) it with the brilliant ‘Brown Paper Bag’. Even the instrumental, ‘Mister Young’, which I didn’t use to like, has become a favourite. Shame on me for ever having doubts.

Mp3: Brown Paper Bag

Bridezilla: Label | Website | Myspace

Digital Music. Intro

Over the last few weeks I've been trying out various services, downloading music legally and generally just getting a feel for the state of digital music. Why? Well why not? I wanted to know what's wrong with it and what should be done to fix it. It's been quite an 'eye opening' experience and so I'd like to share it with you. If you're someone who's been sitting on the digital download fence, take notice. In fact, the issues I'll be discussing are one's that concern pretty much all music lovers. That means YOU.

I'll be posting it in parts, one every few days. It will probably be rather text-heavy, seeing as I have a tendency to indulge myself with copious amounts of paragraph, so I'll try to break it up with the occasional mp3. Anyway, enough of this introducing, the first post is awaiting you below. And guess what? It's more introducing! Don't say I didn't warn you.....

Enjoy!

Digital Music. Part 1 - Preface: The Issues

The future of digital music is an area that interests me VERY much. Seeing as how my life is so steeped in music, how it unfolds will quite literally have a significant impact on me. How we pay for music, how we find it and how we interactive with it are all issues that are being played out before our very eyes. The potential for innovation is huge. But do we really need change? CDs and vinyls do the job incredibly well. They give you great sound quality, something physical to treasure and of course, the ability to rip your music to a computer and beyond. Do we really need to buy music digitally?

Yes! The rise of "ipod culture" is proof of the power and popularity of having music in a digital format. It makes plenty of sense, for both buyers and sellers, to make music available in this format directly. That doesn't mean CDs and vinyls should be replaced. Instead, digital downloads should become a third tier. Vinyls for superior sound quality, digital music for ultimate flexibility and CDs for a bit of both. Yet the problem with this model is that as it stands, digital downloads are anything but flexible. Bogged down by DRM and propriety formats, they have become an option for only the most conscientious (and brave) consumers. In their place, peer2peer sharing has flourished and, like it or not, is here to stay.

From an ethical viewpoint, the issue of illegal downloads seems simple: get rid of them. But it's far more complex. It's a fact that illegal downloads offer many benefits. I for one would have severely undernourished music tastes if I had to pay for everything I wanted to listen to. By not paying for music, listeners are given far more freedom to experiment and discover new material. While this gains artists exposure and the potential to earn money from shows and future releases, it remains a dubious system.

To be honest, I don't think there is a solution. Someone will always miss out. Listeners need to be able sample music and artists need to make money. Finding the balance between the two is the tricky part. If you restrict access to your music, listeners may overlook it. Yet if you make it freely available, you may never see a cent from some of your biggest fans. This is an area that I’m especially interested in, because I haven’t got a clue what to do about it. You can come up with solutions like paying for music retrospectively, depending on how much you listen to it, but would it ever work? It’s a bit a like communism, great in theory, but...

Perhaps most important thing that needs to take place before we’ll make any progress is digital download services need to be improved. You know something’s wrong when those who try to do the right thing are punished, not rewarded, for their effort. Hassles and limitations mean that legal downloads are an inferior option, even before you consider costs. Thankfully, these restrictions are gradually being removed, but it will still only bring legal downloads up to a level equal with illegal ones. At this point, not everyone will make the switch because illegal downloads will still be free. Legal downloads need to offer something more than their illegal alternatives. They need to become a superior product before any major shift will be seen. The big question is how to do this.

As you can see, there’s plenty here to think about. There's nothing I love more than dreaming up ways to solve these problems, but with so many different factors to coming in to play, my ideas change daily. Even after countless hours of consideration, I’m still unsure what the best way forward is. But before I go on about how the future should look, I think it’s important to look at the present. You see, for all the whinging I’d done about downloading music legally, the truth was that I'd never actually tried it. Not once. So I’ve put my money where my mouth is and tried out a few different services. It’s certainly not comprehensive, but at least I’ve got something to back my claims up with. In the next post I’ll begin delivering my verdict. Until then…